Regular
readers will know that I have a soft spot for George Formby. I find him a tad frustrating at times, but
his cheeky songs and gormless ways are rather endearing. And as a historical resource his films are
really quite useful. I recently watched
‘Come on George’ (1939) as part of some research that I have been carrying out
into horse race betting on film. I
didn’t find a huge amount of gambling information here – although the betting
mad policeman was an interesting character.
However, George’s lodgings in the film did lead me down another little
path.
After getting
a job in a stables, George needs to find a room to stay in locally. A loveable young tyke of a lad who hangs
around the stables and seems to be operating very much on the same wavelength
as our hero offers a solution. He lives
with his grandfather, who happens to have a room going spare for lodgers. The deal is sealed when the boy tells of his
pretty older sister. What the boy omits to tell George is that his grandad is
the village bobby and that his potential room is the police cell. George is taken to a substantial looking
house with a large, lush garden, maintained by the under-employed Sergeant. The boy’s sister quickly turns the cell into
a guest bedroom by utilising skilfully placed pictures and fabrics. George accepts the room and the Sergeant and
his grandchildren get a bit of extra spending money from his rent.
This is a
little window onto how police forces used to be organised, before being
rationalised into the set-up that we are familiar with now. Once, most substantially enough sized
villages did have its own police house, where the local bobby was permanently
stationed. Residents knew where to find
the policeman as and when he was needed and in the days before telephones they
could pop down and physically fetch him out.
This lack of a telephone is the key as to why this expensive method of
policing was in force - that and the rarity of cars. The bicycle is as far advanced transport-wise
as the police got in the shires during the 1930s!
Constabularies
did have to ensure the provision of a house as necessary, and I presume that
this led to counties having uniform types of houses being built. I know that here in north Derbyshire, I can
instantly recognise the village police house in a town or village, even where
it is no longer in use as police property.
Plain and utilitarian and with a broad-armed presence, they all have
that same look about them. I rather like
to see them, there’s something comforting about them.
But the type of policing as shown in ‘Come On
George’ is long gone. His
landlord/sergeant can let out the cell because he rarely has any crime to deal
with. Back then, everyone in these sorts
of villages knew everyone else and their business so well that you might as
well not bother committing a crime.
People would likely know what you’d done before you even did it. Society has changed now. There’s more to pinch, more distractions,
more isolation and fast cars to get away in.
So the police have had to change too, to bigger and more centralised
stations with fleets of fast cars and a helicopter to get around in. Watch ‘Come On George’ and mourn the loss of
the village bobby that everyone knew.
A typical ex-police house in north Derbyshire |
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