‘I’m Alright
Jack’ (1959) is perhaps one of the Boulting Brothers’ best known films. It features so many famous faces that it’s
hard to pick out just one actor or actress to focus on. It is one of Peter Sellers’ best known roles,
but how can you single him out over Dennis Price, Ian Carmichael and Richard
Attenborough? There are also fine
performances from Margaret Rutherford, Irene Handl and Liz Fraser. It was reading Liz Fraser’s autobiography
which reminded me of the film – she has such fond memories of her time on this
set, the actors seem to have had fun, which shines through in their
performances.
Sellers as Kite by @aitchteee |
The film is of
course well known for its acerbic take on industrial relations in post war
Britain. As well as industrialists being
portrayed as a bunch of sly old robbers, the trade unionists are shown in a
highly unflattering light. I was
particularly interested in this side of the storyline. My old day job for an anti-poverty group brought me into contact with a lot of trade unionist types and I have spent many an
hour hanging around the TUC HQ in London, and at various conferences. In fact, I was at the TUC conference when the
9/11 attacks occurred, which put me in the highly disconcerting position of
being in the same building as the Prime Minister as the country went into red
alert. I won’t forget that day in a
hurry. So this puts me in a position of
being able to compare and contrast modern trade unionism with that depicted on
the screen as being typical of the 1950s.
It would be obvious to say that we can conclude that there has been a
significant loss of power and membership.
Also that this film, even if it is an exaggeration, shows the reasons
why certain people determined to strip unions of every power. But the aspect that I was most drawn to was the
gender balance.
In ‘I’m
Alright Jack’ the union is portrayed as a kind of working class gentlemens' club. Sellers’ character as shop steward
leads a gang of all male committee members/hangers on. No women are shown as union members, and if
their activity has any effect on women, it is to inconvenience them and give
them opportunity to roll their eyes and indulge their menfolk. This demographic is changing considerably. At the beginning of the 21st
century, the number of female trade union members overtook the number of males
and the gap is steadily getting wider.
This is yet to be reflected in the higher echelons perhaps – there are
few female General Secretaries out there among the individual unions. But as of this year, the TUC is being led by
its first female General Secretary in its long history. Trade unions are truly moving on from their
image of a fusty old male’s domain.
But aside from
all this positivity, we must question why more women now feel the need to join
a union. Is it because we still feel
that we need protection from unscrupulous employers and that our working
conditions are not as they should be? Is
it because women do all the worst jobs? Or have we now just got more nous when
it comes to standing up for ourselves than we ever had before?
‘I’m Alright
Jack’ shows us that in fact, although women have muscled their way in to the
workplace since 1959, there is still plenty of reasons for us to join together
and call for continued progress. Sadly,
we’re not there yet.
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